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Film + documentary

Documentary music and music licensing for film

We help directors, producers and editors find the right music, clear it properly and get the film to distribution with its paperwork in order.

Disney · The One and Only Ivan

What documentary music has to do

Documentary music has to support a story without telling the audience what to think. Too much and it editorializes; too little and a long interview sags. The best documentary scores sit underneath dialogue, move with the edit and get out of the way when a subject says something that matters.

In practice that means restraint: sparse piano, pulses, drones and textures that leave the voice clear, with bigger cues saved for transitions and act breaks. Investigative and true-crime films lean on tension that builds slowly. Nature, sports and character films often want warmth and lift.

NEXT Composer Series: Jean-Marc Yee album coverNEXT Composer Series: Matteo Palmer album coverNEXT Composer Series: Zac Selissen album coverPHASE 22: Piano album cover

Music for film: score, songs and catalog

Most films mix three sources. A score is written to picture and owned or controlled by the production. Licensed songs bring a period, a place or an emotion the audience already knows. Catalog music fills underscore, source cues and montages with tracks that can be cleared quickly and predictably.

The trap is temp love. An editor cuts to a famous song, the room falls for it, and the clearance request goes out after picture lock. Clear early, or temp with music you know you can license.

Iron Harvest · King Art + Deep Silver Games

Hear the catalog

Score-ready albums from NEXT and our other libraries. Tap a cover to play a track.

Browse the library
PHASE 103: Piano Docu-score NEXT The Blueprints
Electric Euphoria Star Gardener Westlight
Connection Points Brian Casey Community Aire
PHASE 111: Soundscapes NEXT To Only Endure
Keepsakes Matteo Palmer Autumn
Moonrise ITG Studios Pensive Moments
PHASE 116: Southern Storytelling NEXT Flyover Country
Inspired ITG Studios Riding Sun Beams

How licensing music for film works

Licensing music for film comes down to a few steps. They are the same for a short and a feature; only the scale changes.

  1. Step 01

    Clear both sides

    A song has two copyrights: the composition (sync license, from the publisher) and the recording (master use license, from the label). You need both.

  2. Step 02

    Describe the use

    Rights holders quote on how the music appears: background or featured, vocal or instrumental, the length of the cue, and whether it plays over opening or end credits.

  3. Step 03

    Choose festival or full rights

    A festival license covers festival screenings only and costs far less. Film Independent's guide puts festival rights for most songs at around $500 per side. Negotiate a step-up option now, at a set price, for all-media rights if the film sells.

  4. Step 04

    Watch for MFN

    Most favored nations terms mean if one side gets a better fee, the other side's fee rises to match. Budget both sides at the higher number.

  5. Step 05

    Get it in writing before distribution

    Silence from a rights holder is not a yes. Unlicensed music can stop a sale or bring a claim.

  6. Step 06

    File a cue sheet

    List every cue with timings, usage, writers, publishers and PROs, so performance royalties flow when the film airs or streams.

  7. Step 07

    Be ready for E&O

    Distributors and broadcasters typically require errors and omissions insurance, and the insurer will want your music licenses on file.

How ITGM helps filmmakers

Discover. Our catalog includes our own NEXT and ITG Studios libraries, with documentary-friendly albums such as NEXT's Piano Docu-score and its Neutral and Investigative series, and ITG Studios' Inspired. Search the catalog or send us a cut.

License. We handle rights, clearances and delivery, including festival-to-full-rights steps, and supply the details your cue sheet needs. For known songs, we do the music clearance outreach and negotiation.

Create. Our in-house composers write custom scores when a film needs its own voice.

“They made clearance effortless, handling the complexities so we could focus on the edit.” — Producer, Marvel Studios

All Roses album coverInterwoven album coverOpaline Sky album coverEinangran album cover

Film work

For Disney's The One and Only Ivan, ITG helped deliver music that complemented the emotional heart of the story while keeping the narrative front and center. For Disney's Ralph Breaks the Internet, ITG helped identify and deliver music that enhanced the film's tone and supported its fast-paced storytelling. Both projects combined music supervision and licensing.

Disney · The One and Only Ivan

Frequently asked questions

Do I need a license to use a song in my documentary?

Yes. Any copyrighted song needs a sync license for the composition and a master use license for the recording, whatever the length of the clip. Fair use is narrow and rarely covers music used as soundtrack.

What is a festival license for film music?

A festival license lets you use music only at film festival screenings, for a lower fee than full rights. It usually includes an option to upgrade to broader media rights at a pre-agreed price if the film is picked up for distribution.

Is there a length of music I can use without a license?

No. There is no number of seconds that makes copyrighted music free to use. Fees are often similar for short and long cues, except for uses like opening or end credits.

What is a cue sheet in film?

A cue sheet is a document listing every piece of music in a film, with timings, type of use and the writers, publishers and performing rights organizations behind each cue. It is how songwriters and composers get paid performance royalties when the film is broadcast or streamed.

Do I need E&O insurance for music?

If you are selling the film to a distributor or broadcaster, you will typically need errors and omissions insurance. Insurers review your clearances, so every piece of music should be licensed and documented before delivery.

Working on a film or documentary?

Send us the cut and where it's headed, festival or full release. We'll come back with music, a clearance plan and a quote.